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      家和万死兴

      5.0 韩语 · 2026 · 韩国 · 恐怖片 

      김강희 , 박봉준 , 강혁일 , 배유람 , 강애심 , 김나은

      怀孕的女主刘景,和丈夫载赫回到婆家,为去世的公公办头七祭祀。婆家古宅的氛围压抑诡异,她不断出现重复的“既视感”,发现家人的言行举止处处透着不对劲。随着祭祀仪式推进,家族成员接连陷入疯狂,她逐渐揭开了这个看似和睦的家庭背后,被诅咒与秘密包裹的黑暗过往。

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      微望

      9.0 韩语 · 2023 · 韩国 · 剧情片 

      李明河,河成国,박봉준,백승진

        More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.  源自:https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

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      微望

      9.0 韩语 · 2023 · 韩国 · 爱情片 

      李明河,河成国,박봉준,백승진

      More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.       

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